B. 1995, Neuilly-sur-Seine - Lives in Paris, France
Chalisée Naamani (1995, France) ’s works are the result of a process that combines photographic prints with polymateric assemblages in soft, irregular shapes, which in space draw gateways to rebuses and emotional tangles. Naamani creates « vêtements-images » (“image dresses”), sculptural objects that practically act like paintings, asking to be looked at rather than to be worn. All the images that are point of departure of her creations are sourced, mixed, collaged, and printed on diverse fabrics, being a perfect echo both to the act of scrolling and to the ultra-Baroque aesthetics of Instagram. In her research painting, sculpture, popular culture, fashion and technology intersect, becoming a fertile ground for cultural intertwining and linguistic exchange.

Commission for the Pista 500 Billboard, Pinacoteca Agnelli Torino, 2024











View of the exhibition After Laughter Comes Tears, Mudam Luxembourg
© Photo: Fabrizio Vatieri | Mudam Luxembourg





















Installation view with Tapis de Jeu Play Art









Installation view with Jambière et Pistolet de couture (Dumptrump)








Various dimensions









Installation views at PALAI, Lecce, 2021

Photographs: Grégory Copitet







Installation view with Cape et Gilet Jaune and Sacs à dos porteurs d'images

